The dancer must breathe life into each arm action,
responding to an inner impulse to move. The use of the head and eye line is
also crucial to ports de bras. In general, the head is led by the eyes, and the
eyes lead the movement of the arms. The arms move fluidly from position to
position without tension, with the postural muscles being reengaged on each
transition. This firm control of the waist allows the chest and head to remain
freely balanced over the hips so as not to interfere with the dancer’s natural
breathing pattern.
Correct breathing patterns enhance the quality and give
expression to movement. Although breathing naturally, the dancer learns to
punctuate key moments with intentional changes in breath rhythm ; a suspended
inhalation accentuates the final stretch of an arm, and a prolonged exhalation
complements the downward flow of the arms to bras bas. Breathing gives life to
the whole movement.
Source : THE FOUNDATIONS OF CLASSICAL BALLET TECHNIQUE ROYAL ACADEMY OF DANCE
Source : THE FOUNDATIONS OF CLASSICAL BALLET TECHNIQUE ROYAL ACADEMY OF DANCE
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